Comfort Zones
~ Textiles for interior (seating objects/furniture) & body
    ongoing
Comfort is elastic
Comfort Zones is a practice- based research project in which physical and emotional comfort and discomfort is experienced by the human body. A variety of different Comfort Zones is presented. All of them deal with the delicate and playful relationship between filling material and cover, in which knitted structures and materials play a central role in order to create comfort. All Comfort Zones embed the human body and create a balance of an artistic and functional expression.The elasticity of the knit is challenged when creating volume and emphasizes the idea that comfort is elastic in material/physical way, as well as well in emotions. Filling materials give a new dimension, sensitivity and offer new opportunities. As well as the knit is serving as a cover and decorative element, it has the ability to create its own padding. By rolling up a knitted tube, volume is built up layer by layer; a torus appears and captures a void in the center of the form, required by the tube, the fundament. All Comfort Zones are created by different methods of form giving, wherein the knitted tube plays an essential role in guiding the design process and form exploration, such as: rolling, pleating, cutting, stuffing, layering and compressing.
Some zones are more conceptual than others, all are sculptural, but never divided from function: they are scaled up to accommodate and offer comfort for the human body. By discreet details in structure, material and form, hints of discomfort are given to create a vibrant expression as it also shows how vulnerable and fragile comfort is- it can just exist for one moment, for one thought, for instance.
Since garments have a great influence on our comfort and discomfort, it seemed challenging and appropriate to design textiles for the body emphasizing and interacting with the collection- the Comfort Zones. Clothing strongly supports our physical and emotional state and affects a coherent balance of ‘being’, when comfortable. All garments are made out of knitted material, being used in the Comfort Zones. Knit expresses a clear comfort in its flexibility and touch and offers additional stabilization and fit. Elements of color and materiality return within the collection when translated on the body. A clear interaction happens when the body touches and activates the zones.The material and the body evoke each other when composed together; the skin/ the upper surface of both elements change.
The emergence of form and volume
    Summer 2019
This form development represents the most essential movement and practical method and displays the emergence of form and volume. This video clearly documents the first embodiment forming the concept and context of Comfort Zones. It expresses the complexity of the rolling technique, which contains pulling, stretching and intense manipulation by the hands to result a neat shape. When rolling, the resilience is constantly challenged. A combination of cotton and lycra material was used, due to its strong elasticity and flexibility.
Material Philosophy
    Summer 2019
Documenting the working process by the medium of photography displays an important method for Maria. Capturing materials, details and colors inspire to be combined with words and thoughts emphasizing a mood, atmosphere and the aesthetics of the image. This way of working presents a personal homage to the importance and value of the process.
Comfort Zones at Dutch Design Week Eindhoven    Autumn 2019

The Smooth Void, one piece out of the collection Comfort Zones was presented at Dutch Design Week (DDW) in Eindhoven. For short periods of time, a female model activated the lounger by getting comfortable in the piece. Different positions like sitting, laying and leaning were performed fluidly to keep one total comfortable dynamic. This live performance displayed an important medium to activate the shape and show its functions, as well as it emphasizes and communicates the essence of Maria’s design, which is closely connected to the human body. As an added element, the collection of garments should complement instead of compete with the pieces, they should merge and become one total expression. Controlling the body’s comfort by garments could strengthen the concept as they emphasize the overall importance of the embodiment in the collection.

Casual editorial at DDW Eindhoven
    Autumn 2019

Handcrafted garments (knitted pleated silk pants and yellow knitted top), combined with jewelry pieces by Iris Desiree Claessens.